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Image Arizonans waiting to vote in Phoenix on Election Day. Credit...Jon Cherry for The New York Times If you’ve been reading post-election coverage, you’ve probably seen one of the big takeaways from the returns so far: In counties across the countr
My best friend and I grew up in moderate-conservative households. While I became more progressive as I agedqqjili, she grew more conservative. In the past, we were able to have heated conversations and remain on good terms. Now I fear asking whom sh
At the center of Archie Moore’s “Kith and Kinslotvip,” installed in the Australian pavilion at this year’s Venice Biennale, a large tabletop hovers above an inky reflecting pool. The table holds stacks of paper, each pile an official record of an In
In the months since Canada and the United States accused India of carrying out assassination plots against Sikh separatist leaders on North American soil, a lingering question has hung over the accusations: Why would the Indian government take such
A debate inside The Washington Post continued for days among its top leaders: Should it make an endorsement in the presidential race, continuing a decades-long tradition?In the end, Jeff Bezos, the paper’s billionaire owner, decided that the answer
During their wedding weekend in September in Nantucket, Mass., Larry Giannechini, 34, and Pat Knise, 35, held many traditional activities. They staged a welcome dinner. Their wedding was at a private club with a ceremony and a reception. Brunch was
Image Paola Briseño-González’s espagueti verde (creamy roasted poblano pasta).Credit...Armando Rafael for The New York Times. Food Stylist: Hadas Smirnoff. I know this ship has very much sailed, but does anyone else miss summer produce? I think wistf
Ralph Lemon began his artistic career as a dancer and choreographer, but since he disbanded his company nearly 30 years ago, his work has fit less and less into the conventional category of dance, even the experimental kind. “Ceremonies Out of the A
Let’s say you need a woman who can slit someone’s throatwinph, who can poison someone’s whiskey, who can smash her son’s fingers with a hammer, who can commit armed robbery with precision and glee. Perhaps you are responsible for “The Sticky,” a new
Joshua Oppenheimer is our age’s great bard of cognitive dissonance. His previous two films, “The Act of Killing” and “The Look of Silencemega swerte,” are technically documentaries about the horrific Indonesian mass killings in 1965-66. But they’re
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